So, I took an old A7S that had been gathering dust for a while, dismantled it and removed the infrared filter from the sensor. To start with this needed to be cheap, but it also needed to be full frame and capable of taking a wide range of cinema lenses and sensitive to both visible and infrared light. The next challenge was to create a low cost “test mule” camera before even considering what adaptations might be needed for a full blown digital cinema camera. Even better I still had a suitable 3D rig, so at least that part of the equation was going to be easy (or at least that’s what I thought). I have shot with infrared before, so it wasn’t all new, but I had never used it this way before.Īs I did a lot of 3D work when 3D was really big around 15 years ago, including designing award winning 3D rigs, I knew how to combine two cameras on the same optical axis. I don’t claim any originality in the process, but there is a lot of information missing about how it was actually done in Nope. So a frantic couple of weeks ensued as I tried to learn everything I could about infrared photography and video and how it could be used to improve traditional day for night shooting. There are a lot of things that can trip you up badly. I discovered many small things that need to be just right if this process is to work well. This kind of challenge is something I enjoy immensely, so how could I not accept the challenge! I had some insight into how Hoyte Van Hoytema did it but I had none of the fine details and often its the fine details that make all the difference. Well, I was recently asked if I could come up with a rig to do the same using Sony cameras for an upcoming blockbuster feature with an A-list director being shot by a top DP. but I have a few videos that need to be edited in the mean time.Many of you may have already seen articles about how DP Hoyte Van Hoytema used a Panavision System 65 film camera paired with an Alexa 65 modified to be sensitive to infrared light to shoot day for night on the film “Nope”. Now that I no longer have the creative cloud suite, how can I transcode my files? I have looked everywhere online and I can't find a decent encoder that will transcode to Cineform or DNxHR.ĭo you guys know of any free converters that will allow me to do this? I would like it to be free because my problems will be solved with the full version of resolve in a week. so to use my footage in resolve I would transcode to cineform using adobe media encoder, and that would allow me to edit my clips. So here is my issue: Davinci Resolve 14 Free does not support Gh5 10 bit files natively, nor does it let you transcode them. I have canceled my membership and I am now editing in Davinci Resolve 14 Free (I will be upgrading to the full version in a week) however for reasons that can be explained in another post. So I have been an adobe suite user for going on 8 years now. u/shickey maintains a videography-themed weekly challenge subreddit, so if you're looking for something to shoot head on over to /r/DoCreativeĬamera, NLE, year started, general location Requests for feedback or comments must be posted in the monthly ‘I Made This/Feedback’ threadĪ full copy of the rules can be read here.Use of affiliate links must be disclosed in post.Links posted must relate directly to videography.If you're looking for professional-only discussion, give /r/videoprofessionals a shot! r/videography is a subreddit intended for all skill levels, from beginners all the way through to professionals to come together to discuss the trade. For videographers interested in weddings, events, live performances, music videos, TV, corporate, live streaming, sports, real estate, YouTube, home videos and more, welcome to /r/videography. Destined for the big screen? Try /r/filmmakers.
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